“La Belle Noiseuse” (Jacques Rivette, 1991) Jacques Rivette’s four-hour masterpiece about the act of artistic development turns the male gaze back on itself. True, it’s hard to think of an actress who’s had to be naked onscreen for any longer duration of time in a single movie than Emmanuelle Beart is in this a single.
We get it -- there's a good deal movies in that "Suggested For you personally" part of your streaming queue, but How would you sift through many of the straight-to-DVD white gay rom coms starring D-list celebs to find something of true substance?
Where’s Malick? During the 17 years between the release of his second and third features, the stories with the elusive filmmaker grew to legendary heights. When he reemerged, literally every in a position-bodied male actor in Hollywood lined up for being part in the filmmakers’ seemingly endless army for his adaptation of James Jones’ sprawling WWII novel.
Not too long ago exhumed with the HBO collection that saw Assayas revisiting the experience of making it (and, with no small level of anxiousness, confessing to its ongoing hold over him), “Irma Vep” is ironically the project that allowed Assayas to free himself from the neurotics of filmmaking and faucet into the medium’s innate perception of grace. The story it tells is an easy 1, with endless complications folded within its film-within-a-film superstructure like the messages scribbled inside a youngster’s paper fortune teller.
There are profound thoughts and concepts handed out, nonetheless it's never penned around the nose--It can be refined enough to avoid that trap. Some scenes are just exceptional. Like the one in school when Yoo Han is trying to convince Yeon Woo by talking about colour theory and showing him the color chart.
Montenegro became the first — and still only — Brazilian actor to generally be nominated for an Academy Award, and Salles’ two-hander reaches the sublime because de Oliveira, at his young age, summoned a powerful concoction of mixed emotions. Profoundly touching but never saccharine, Salles’ breakthrough ends with a fitting testament to the idea that some memories never fade, even as our indifferent world continues to spin forward. —CA
This Netflix coming-of-age gem follows a shy teenager as she agrees to help a jock gain over his crush. Things get complicated, however, when she develops feelings with the same girl. Charming and genuine, it will end up on your list of favorite Netflix romantic movies in no time.
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Tarr has never been an overtly political filmmaker (“Politics makes everything much too basic and primitive for me,” he told IndieWire in 2019, insisting that he was more interested in “social instability” and “poor people who never had a chance”), but revisiting the hypnotic “Sátántangó” now that Hungary is inside the thrall of another authoritarian leader demonstrates both the recursive arc of the latest history, and the full power of Tarr’s sinister parable.
Allegiances within this unorthodox marital arrangement change and break with all the palace intrigue of power seized, vengeance sought, and virtually not one person being who they first appear to be.
Many of Almodóvar’s recurrent thematic obsessions seem here at the height of their artistry and effectiveness: surrogate mothers, distant mothers, unprepared mothers, parallel mothers, their absent male counterparts, as well as a protagonist who ran away from the turmoil of life but who must ultimately return to face the past. Roth, an acclaimed Argentine actress, navigates Manuela’s grief with a brilliantly deceiving air of serenity; her character is purposeful but crumbles in the mere point out of her late little one, regularly submerging us in her insurmountable pain.
” The kind of movie that invented terms like “offbeat” and “quirky,” this film makes lower-funds filmmaking look easy. Released in 1999 for the tail stop of nacho vidal the New Queer Cinema wave, “But I’m a Cheerleader” bridged the hole between the first scrappy queer indies as well as the hyper-commercialized “The L Word” era.
This underground cult classic tells the story of the high school cheerleader who’s sent to conversion therapy camp after her family suspects she’s a lesbian.
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